- Safflower Oil
- "The Full Structure of Paintings" by Mecklenburg
- Water miscible oils
- Colored pencil over alkyd, how to protect it?
- Walnut Oil
- Efflorescence on dried oil paintings
- Bulking up the paint
- The Maroger Mediums
- Efflorescence on Works of Art
- “Efflorescence” from Some Conservators’ Points of View
- Lead in Galkyd Lite
- "Essence"
- cleaning brushes and thinning water-miscible oils
- cleaning confusion
- Shopping Around For Paints
- Linseed oil/stand oil mediums
- Smoothing down oil paint
- Oil painting mediums
- A case of art history and science happliy meeting
- Resin Question
- cracking paint
- mussini
- Speeding the drying time of oils
- question re: fat over lean
- Watercolor Varnish
- Announcement from a Colleague
- speed of drying in lead whites
- oil content in paints
- Copy of Delacroix's Orphan Girl in a cemetery
- A Brief History of Aluminum Stearate as a Component of Paint
- darkening with manganese?
- oil paints & mediums
- Storing Oil Paints in the Freezer
- Vigorous scumbling
- Blotting with paper
- Glazing
- PROBLEM WITH TITANIUM & ZINC WHITES
- oil & enamel
- Oil/alkyd medium and acrylic dispersion paints
- From W&N: Painting Medium and Artists Painting Medium
- storage of oil paints
- Oil / alkyd mediums
- shelf life of oil mediums + cleaning of oil brushes
- oiling out vs retouch varnish
- glazing redux
- Water-soluble Oils and Cold
- Too much medium for glazing?
- oil and beeswax
- "Fat over Lean"
- ;;;;;;;;I’d like your opinion about my oils.;;;;;;;;;;;
- genesis oil paints
- oven cleaner to renew surface
- Liquin yellowing
- Your thoughts on different linseed oils
- Adhesion
- acrylics - creating a "tooth"
- The effect of fading color on value question.
- Mixing Brands of Water-Soluble Oils
- white wine vinegar to clean oil & acrylic paint off brushes
- Ecco-friendly Oil Painting... is It Possible?
- Trying to Understand Lightfastness Ratings Better.
- Schmicke & ASTM standards
- Alkyd resin apprehension
- Transparent paste
- Stiff Old Holland lead white
- best blacks & whites to use
- Old Stand Oil?
- Alternatives to flax oil and their derivatives
- What is a Vacuum-bodied oil?
- Amber or Copal
- How to test mediums
- Beeswax as a medium
- Dammar mediums?
- Damar Resin Pros and Cons
- underpainting
- Paint drying time
- Looking for juicey info on alkyds
- The veracity of Louis R. Velasquez's claims
- Painting on gesso'd board
- Solvent free oil painting
- Egg Yolk in Oil Painting?
- optimal drying temperature for oils
- cooking oil mediums
- OK to use alkyd medium in initial but not layers?
- Solvent--free painting and fat over lean when using very dry paints
- Larch or Venetian Turp
- Shelf-life of mediums
- Liquin
- Painting over old oil paintings
- Calcium Carbonate question
- "Workability" of oil paintings
- Thick oil paint
- Can walnut oil polymerise itself?
- Lead White
- Cobalt Drier as sole medium
- Plasticisers and "Flexible" Oil Paint (re: zinc white)
- refrigeration of mediums
- Alkali Refined Linseed Oil
- Fat over lean and resins
- New to painting
- polymerizing oil in a lead vessel
- Oiling out, retouch varnish, and varnishing
- Thinning Paint
- Using thinned paint
- Pigment precipitate in glazes
- Oil Paint Brush Cleaning
- oil paints for indoor and outdoor murals
- Saponification (aka bloom)
- temperature and oil paint
- Dutch Stand Oil
- Which medium?
- Calcium carbonate
- Painting w/o solvents
- Traditional Painting of Shadows
- Oil/Alkyd Mediums
- Relative Film Strength of Linseed and Walnut Oils
- Oils....Black Oil and sun thickened linseed
- Utrecht and ASTM
- Cobalt driers in tubes
- underpainting white
- Canada Balsam
- unstreched canvas
- Oil Paint Additives
- Galkyd Lite losing solvent
- Water soluble oils, chipping
- Tempera grassa
- Tempera grassa
- freezing paint
- Turpentine versus Spike
- Water-miscible oils
- Methylcellulose oil painting medium
- Clear Oil Paint
- Making Oil Sticks
- Premature glazing
- Chalky paint
- Stand Oil price
- Alum stearate
- Best All Around Medium
- Nano
- Scumbling, glazing and dry brushing
- New kind of light bulbs
- Sound oil painting praxis
- how to be sure about the grade
- To wash or not to wash
- Lead whites in tins as opposed to tubes
- Crisp painted edges
- Drying Box
- Medium making procedure
- cleaning the tube thread
- Retaining stroke definition for wet-into-wet
- Problem painting without mediums
- how to make oil paints dry slower...much slower?
- Acrylic Primer - Oils not drying
- absorbing excess oil in underpainting
- Collage on dried oil paintings
- galkyd slow dry
- Couching and RSI
- Ketone Resin?
- Retouch varnish
- fat over lean
- artist alkyd paint
- How to maximize the Wax content in paint?
- Sun-thickening walnut or linseed oil
- Etching and oil addition
- Glass Palette
- Liquin and oil pastels
- Non-lead whites
- Stand Oil and Sun Thickened Long Term
- Zirconium silicate - an alternative to Zinc/Titanium white?
- drying oil
- Applying Grumbacher MS Underpainting White
- Oil painting on paper vs etching on paper
- alkyd with solvents
- Scratchability of oil paint layers.
- cannot recall the bottom line on use of zinc
- 'Safe' Alla Prima Medium
- Egg yolk and Venice Turpentine
- Turning B-67 into balsam
- Jacques Maroger info
- New thoughts about damar resin
- Diagnosing precipitates in oil
- Kem-tone
- Grumbacher Zec
- painting into a couch of clear solids and oil
- Paint from shells and chalk
- painting safely by candle or oil lamp
- Question about Fillers
- acrylic ink under oil paint