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Forum: Pigments

  1. Sticky Thread Sticky: Revised ASTM D4303

    The revised version of ASTM D4303-06, ASTM International's test method for the lightfastness of colorants used in artist's coloring materials, has...

    Started by markg, 07-23-2006 02:37 PM
    • Replies: 0
    • Views: 1,472
    07-23-2006 02:37 PM Go to last post
  1. Sourcing Pigments

    Hi all, Firstly I have been reading this forum for some time in the background, and I would like to thank all the contributors as it is an...

    Started by b1llyb0y, 4 Weeks Ago 10:25 PM
    2 Pages
    1 2
    • Replies: 11
    • Views: 321
    4 Weeks Ago 05:36 AM Go to last post
  2. Black Pigments

    In the past year or so I've started to value black as "the queen of all colors" on my palette. I'd like to get some insight into what the differences...

    Started by Logan, 09-13-2006 07:16 PM
    • Replies: 7
    • Views: 1,417
    07-27-2010 04:51 PM Go to last post
  3. Unusual pigments, some with promise?

    There are a number of old pigments that have been recently recreated, like Egyptian Blue, Han Blue, Han Purple, and Maya Blue (and its variants). ...

    Started by superstition, 12-31-2009 06:11 AM
    5 Pages
    1 2 3 ... 5
    • Replies: 44
    • Views: 2,945
    07-22-2010 03:53 PM Go to last post
  4. Lead Sulfate

    Origin and History Lead sulfate (British spelling, sulphate), PbSO4, formed the basis of a number of white pigments that were made on a large scale...

    Started by GeorgeOH, 10-21-2009 12:07 AM
    2 Pages
    1 2
    • Replies: 13
    • Views: 1,225
    06-20-2010 10:54 PM Go to last post
  5. Cyan, Magenta, and Yellow Primaries

    In an attempt to work with the 'true' primaries (Cyan/Magenta/Yellow). I have been using the following pigments as my primaries: Cyan- Phthalo...

    Started by Logan, 03-31-2006 03:27 PM
    • Replies: 9
    • Views: 1,577
    05-26-2010 03:49 AM Go to last post
  6. color mixing

    Hey Mark. Long time no talk. I am trying to find different pigments to mix in order to get a solid black. I have been using alizarin crimson...

    Started by krtyler, 04-14-2008 05:49 PM
    • Replies: 5
    • Views: 1,125
    05-26-2010 03:40 AM Go to last post
  7. PR 101

    Hello, I was wondering if you please could explain to me how pigment PR 101 can end up as so many different oil colours (tubes). I mean what...

    Started by pablomtt, 08-06-2009 08:23 AM
    2 Pages
    1 2
    • Replies: 11
    • Views: 1,463
    05-26-2010 03:24 AM Go to last post
  8. Phthalo Blue & Phthalo Green Mix

    Hello, I have recently been using an oil mixture of phthalo blue, phthalo green and titanium white. I am not using any solvent or an oil medium....

    Started by Natasha, 05-14-2010 07:43 PM
    • Replies: 1
    • Views: 322
    05-15-2010 04:05 AM Go to last post
  9. Lead white and stack process lead white

    Hello Amien, Do you think that there is a difference between modern lead white and lead white made according to the stack process when it comes to...

    Started by WimVanAalst, 12-06-2009 10:58 AM
    2 Pages
    1 2
    • Replies: 13
    • Views: 812
    05-15-2010 03:17 AM Go to last post
  10. Harmfully Bright Pigments

    Hello, I am wondering if there is such a thing as a pigment that is too bright to the point that it is harmful to ones vision. I realize this is...

    Started by HoneyBear, 03-21-2010 05:48 PM
    • Replies: 9
    • Views: 504
    05-04-2010 11:06 AM Go to last post
  11. oil paints that dry dull

    Hi! I've been quite frustrated over time when I've returned to the canvas I'm working on to find that an area that had looked dark has dried...

    Started by Deborah Feller, MFA, 04-01-2007 07:20 PM
    4 Pages
    1 2 3 ... 4
    • Replies: 32
    • Views: 3,928
    05-03-2010 04:05 AM Go to last post
  12. refining ultramarine from lapis

    I am a recent graduate of the Winterthur/University of Delaware Program in Art Conservation and have been kept on to teach a few Materials and...

    Started by apigmentboy, 02-08-2007 01:37 PM
    2 Pages
    1 2
    • Replies: 19
    • Views: 1,731
    04-04-2010 03:25 PM Go to last post
  13. Burnt Sienna help

    I am trying to find more of a particular shade of Burnt Sienna. A Greek painter gave me some Burnt Sienna pigment when I was in Greece, but the jar...

    Started by Beatrice, 07-24-2009 02:53 PM
    3 Pages
    1 2 3
    • Replies: 27
    • Views: 1,218
    04-01-2010 09:54 AM Go to last post
  14. Who makes my perfect Viridian?

    This is not a historical or scientific question--it is a subjective one regarding viridian. I use copious amounts of viridian in my paintings....

    Started by Beatrice, 07-24-2009 02:13 PM
    • Replies: 3
    • Views: 503
    03-27-2010 07:34 AM Go to last post
  15. Itten Rood and Chevreul

    Hi my first post. we have Chevreul Rood and then Itten The thing that blows me away is that Itten wrote "the elements of colour" as if it was...

    Started by ghammers, 03-25-2010 12:05 AM
    • Replies: 5
    • Views: 320
    03-27-2010 05:13 AM Go to last post
  16. Artistic vs. Ceramic pigments

    I am exploring working with dry pigments and wanted to know what the difference was between artistic and ceramic pigments. Some seem to use even the...

    Started by aikanae, 03-10-2010 02:34 PM
    • Replies: 3
    • Views: 263
    03-12-2010 05:45 PM Go to last post
  17. Mystery Pigment: PB 38

    Hi Mark, I've got a Sennelier brochure that lists the particulars for their oil pastels. Among them is a hue they name 'Prussian Green.' The...

    Started by graeler, 01-09-2007 05:48 PM
    4 Pages
    1 2 3 ... 4
    • Replies: 33
    • Views: 3,191
    03-10-2010 02:16 AM Go to last post
  18. Lead white and lead carbonate

    It seems like the lead white sold today becomes rather transparent on drying. I always need to add some titanium white to the lead white because...

    Started by WimVanAalst, 03-07-2010 03:29 AM
    • Replies: 5
    • Views: 414
    03-08-2010 09:13 AM Go to last post
  19. Ultramarine Blue in Egg/oil emulsion

    I've been making my own egg/oil emulsion paint using an ultramarine blue pigment from Kremer (it's labeled AP) and have noticed a distinct sulfur...

    Started by Sutton, 01-25-2010 07:14 PM
    • Replies: 3
    • Views: 350
    03-08-2010 02:09 AM Go to last post
  20. Zinc oxide and its effects on drying oil

    The recently published study by Marion Mecklenburg and Charles Tumosa among other results point to the effects of zinc oxide on the film formation of...

    Started by GeorgeOH, 09-02-2007 03:17 PM
    7 Pages
    1 2 3 ... 7
    • Replies: 66
    • Views: 7,439
    02-03-2010 03:57 AM Go to last post

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